Moving “Tracks” in Final Cut Pro X
How do you select all “tracks” in Final Cut Pro X, and do you even need to? This week...
Back-timing and Retiming in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training shows us a very useful trick when retiming clips...
Mastering the Keyboard in Final Cut Pro X
Can you edit without a mouse or trackpad? That's the challenge our guest Sam Mestman tackles this week with...
First look: Sony PXW-X70 10-bit/4:2:2 handheld camcorder
I am quite intrigued with Sony’s new under US$2600 PXW-X70 camcorder. It has been a while since I used...
Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
iPad Air 2 is semi-matte!/My MacBook Air is now matte too!
Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use....
Review: ThunderBay IV 4-bay 12TB Thunderbolt system
Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the...
Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the...
Know the Pro: Stu Maschwitz
This article series, to be posted once a month, will focus on one person in the Film or Television...
Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
