Will Newell brings excitement and polish to Formula 1 racing events
Covering live sports broadcasts requires speed, cost-efficiency, and flexibility—and that’s where Will Newell excels. For 10 years, he’s done...
Scott Peters leads digital content production for “The Voice UK”
Scott Peters is a self-‐proclaimed “everything” man. He can direct, produce, edit, shoot, and produce graphics on both large...
Art of the Cut with Pietro Scalia on The Martian
In this installment of Art of the Cut, we talk to multi-Oscar-winning editor, Pietra Scalia about The Martian, his...
Audio post workflow for the feature film, “War Room”
This is the third and final article in the post production process for the theatrical feature film War Room which I...
Liverpool Football Club scores with exclusive video
With 18 League Championships, eight League Cups, and five European Cups, Liverpool Football Club is one of the most...
Full workflow for editing the #1 Feature Film, “War Room”
“War Room,” the movie I co-edited, was Number 1 at the box office in the USA Labor Day weekend...
Territory Studio applies VFX expertise to “Hitman: Agent 47”
Territory Studio enjoys its reputation for being able to handle nearly any project that comes its way. With expertise...
ADI wows stadium fans with broadcast-quality sports video
Since Geraint Williams founded ADI nearly twenty five years ago, the company has grown to become a global pioneer...
Adobe customers share the spotlight at IBC 2015
For anyone involved in creating and delivering content for film, broadcast television, or online channels, IBC 2015 is the...
Stefan Weiss, fearless editor, hands-on educator
When it comes to non-linear editing (NLE), Stefan Weiss is fearless. He’s worked in both film and broadcast television,...
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