“Cop Car” kicks off Sundance NEXT FEST
Sundance NEXT FEST is a festival that celebrates film, music, and indie artists. After premiering at the 2015 Sundance...
“Gold Rush” perfects on-site production
The production team of Discovery’s popular reality TV series, Gold Rush works in the Yukon Territory, a vast, sprawling...
Student filmmakers embrace Adobe Creative Cloud
Each year, the American Cinema Editors (ACE) present the prestigious EDDIE Awards for the best-edited films in the business....
The making of “25 Years of Photoshop”
Adobe Photoshop is synonymous with creativity, which is why it made perfect sense to celebrate its 25th anniversary with...
RX Loudness Control
iZotope, the maker of a wide range of innovative audio software, has recently released another tool in their line...
DIY DCP
You used to hear a whir, the sound of sprockets pulling film from a 15 pound reel at a...
Are you, as an editor, defined by the NLE that you use?
Are you defined by the NLE you use? If you answered no to that question you can probably stop...
Fare-thee-well Red Giant BulletProof
I was a little bit sad when I saw the news that Red Giant’s BulletProof had been quietly discontinued....
Senior Post—Closing The Gap between Post and Production Work
Feathered jackets. Dancing presidents. And of course the ubiquitous tongue. In an electrifying five-minute video for the music video...
Editors: Do you prefer more shorter clips or less longer clips?
I was recently working on an edit that used footage captured by two shooters covering a weekend event. The...
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