Get Started Fast with Media Composer for Adobe Editors — Part 4
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Get Started Fast with Media Composer for Adobe Editors — Part 2
This tutorial series is designed for Premiere Editors to get a quick look at the important, fundamental differences in...
Adobe Premiere Pro 2017 and the other CC app updates are live
A new Premiere Pro means a new splash screen. It was a big day for Adobe the Adobe MAX...
It’s time to get excited about Boris FX’s acquisition of GenArts!
There has been an age old debate going on in the post production world, and no, I’m not talking...
Adobe Premiere Pro IBC 2016 Reveal – Team Projects and Visual Keyboard Layout
If it’s time for a major tradeshow then it must be time for a new release of the Adobe...
Real-world, same-day editing with the Lumaforge Jellyfish and Adobe Premiere Pro
Earlier this summer I was hired on a job to edit same day content for CMA Music Festival. It’s...
Kicking the tires on Proxy Editing with Adobe Premiere Pro CC 2015.3
Adobe released the Adobe Premiere Pro 2015.3 update onto the world in late June and I was smack-dab in...
QuickTime’s Death means it’s time to Switch!
Every post production house in the world that runs Windows machines probably has a copy of QuickTime Pro for...
AE for Editors: Prolost Speedramp
Speed ramps used to be rare, and before that, nonexistent. Slow motion has long been a part of cinema—it...
NAB 2016 – Editing Essentials for Premiere Pro from mamoworld
With the growing popularity of the Adobe Premiere Pro CC panel I wanted to check out the Editing Essentials...
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