On-Set Audio- 28 Weeks of Post Audio Redux
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
NAB 2018: ARRI Signature Prime Lenses for ARRI ALEXA LF
ARRI Signature Primes were designed in conjunction with the ARRI ALEXA LF large format digital cinema camera and are meant...
NAB 2018: Panasonic Shows off AU-EVA1 Firmware 2.0
Since the mysterious shroud of NAB convention 2017, the Panasonic AU-EVA1 has made quite a splash with its high-resolution 5.7K...
NAB 2018: KINEFINITY MAVO AND MAVO LF 6K CAMERAS
At NAB 2018: Kinefinity, the Chinese camera maker, showed off their entire camera line-up with a special emphasis on...
NAB 2018: Sigma Shows Off 105mm f1.4 and 70mm Macro.
At NAB 2018 Sigma showed me their new 70mm macro lens and their new 105mm f1.4 which they are...
NAB 2018: The Sony VENICE Full-Frame Camera
At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...
NAB 2018: Canon C700 Full Frame Digital Camera
NAB 2018 has a hint of a large sensor love affair perfume filling the air. Its beautiful aroma is...
DaVinci Resolve 14 With A Mini Micro Panel Review
What Blackmagic Design has created under the hood of DaVinci Resolve is akin to Pandora’s box, and let me...
A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in...
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