REVIEW: RT Motion MK3.1 Remote Follow Focus Kit

Written by Helmut Kobler

April 11, 2015

RT Motion’s MK3.1 should be on the radar of anyone looking for a system that can grow with them… ...

Sony FS7 Review

Written by Brian Hallett

April 3, 2015

I take Sony’s latest 4K camera through the paces. I wanted to see the camera’s weakness/strengths as well as...

REVIEW: Cinegears Wireless Follow Focus Express Kit

Written by Helmut Kobler

March 19, 2015

My quest for a reasonably affordable, capable remote follow focus led me to the $1989 Cinegears Express. 

2.5K Cinema Camera Gets Lossless Raw in Firmware 2.1 Update

Written by Brian Hallett

March 18, 2015

Blackmagic finally adds the long awaited lossless compressed raw recording to their original, the 2.5K Cinema Camera. In addition,...

The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical

Written by Art Adams

March 17, 2015

CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...

Blackmagic URSA PL Review

Written by Brian Hallett

March 12, 2015

The Blackmagic URSA should be a great camera. It boasts a 10 inch built-in monitor, 80FPS in 3:1 4K,...

Flex Light Review and Photometrics

Written by Matthew Jeppsen - DP Notes

February 17, 2015

Recently I had the pleasure of working on a project with Jem Schofield. Jem has a gear obsession that...

48 reasons why GarageBand is kryptonite for video production

Written by Allan Tépper

February 17, 2015

The market is full of capable digital audio editing applications. I am familiar with many of them and have...

Blackmagic Design Announce New Intensity Pro 4K Capture Card

Written by Brian Hallett

February 16, 2015

The Intensity Pro 4K is a new super fast PCIe card that allows you to capture and playback SD,...

Accelerated File Uploads for Production & Post

Written by Chris Potter

February 15, 2015

As production and post workflows become increasingly distributed, the ability to send large source files quickly and reliably is...