2.5K Cinema Camera Gets Lossless Raw in Firmware 2.1 Update
Blackmagic finally adds the long awaited lossless compressed raw recording to their original, the 2.5K Cinema Camera. In addition,...
The TLCI Color Rendering Index: Does It Really Work? Color Me Skeptical
CRI is meaningless when it comes to measuring LED or fluorescent lights. TLCI hopes to replace CRI in the...
Blackmagic URSA PL Review
The Blackmagic URSA should be a great camera. It boasts a 10 inch built-in monitor, 80FPS in 3:1 4K,...
Flex Light Review and Photometrics
Recently I had the pleasure of working on a project with Jem Schofield. Jem has a gear obsession that...
48 reasons why GarageBand is kryptonite for video production
The market is full of capable digital audio editing applications. I am familiar with many of them and have...
Blackmagic Design Announce New Intensity Pro 4K Capture Card
The Intensity Pro 4K is a new super fast PCIe card that allows you to capture and playback SD,...
Accelerated File Uploads for Production & Post
As production and post workflows become increasingly distributed, the ability to send large source files quickly and reliably is...
Blackmagic Studio Camera Review
Without a doubt, the Blackmagic Studio Camera is a niche camera with a dominating monitor and Super 16mm sized...
How to get trained
Almost everyone now seems interested in video or cameras or movie making. Filmmaking has become a popular hobby and...
Review: The 4K Blackmagic Production Camera
Blackmagic’s New 4K Production Camera is here and I have been shooting with it as soon as I could...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
