RED at Cine Gear Expo: new camera line-up and BTS with Christopher Probst
RED will be at Cine Gear Expo to show, for the first time, its new DSMC2 camera line-up. Attendees...
One body, three sensors: RED’s new simplified system, and why it is cheaper
RED has put an end to the confusion of camera bodies, insides and sensors on their catalog. Starting this...
Akitio expands Thunderbolt 3 storage and shows new products at NAB 2018
A RED camera Mini-Mag reader, an 8-bay hardware RAID enclosure or a dual-slot PCIe box are some of the...
Wildlife and nature as seen through a RED
Shannon Wild and Russell MacLaughlin, Paul Nicklen, Andy Casagrande and Asgeir Helgestad all have a passion for nature and...
Everything you need to know about REDCODE RAW
RED Tech is back, with a new video sharing the possibilities of REDCODE RAW and how, ays RED, the...
Teradek RT: wireless lens control for filmmakers
Manufactured in the USA and sold by Teradek, the new product line, known as Teradek RT, is compatible with...
Panavision’s new DXL2: Monstro dialed up to “11”
Panavision’s DXL2 is a unique offering, backed by a unique color pipeline. This is not your average Monstro. When...
RED takes MONSTRO 8K to BSC Expo
RED cameras will be on show at BSC Expo, but visitors can also discover the secrets behind FX’s flagship...
Three shorts to show the potential of FCPX
RED cameras, iMacs and MacBook Pros for editing, three female filmmakers, industry pros as mentors, and Final Cut Pro...
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of...
