GoPro HERO7 Black Hands-on Review
I was invited to a private GoPro pre-release event with a handful of other media folks so we could...
Review: Zoom SSH-6 (stereo) shotgun microphone for in-field interviews and more
This article review is mostly about the Zoom SSH-6 (stereo) shotgun microphone (with mono mode), and partially about the...
Manfrotto Pro Light Cinematic Camera Bags Review: Balance and Expand
Do you ever feel like you spend more time carrying your gear from point A to point B, or...
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
Protecting the Bright Tangerine Misfit
A few years ago I stopped buying cameras, and started putting my yearly gear acquisition budget into grip, lighting,...
Review: JK Audio BlueDriver-F3 wireless Bluetooth transceiver for ENG
At NAB 2018 in Las Vegas, I got my first real opportunity to test JK Audio’s BlueDriver-F3 wireless Bluetooth...
A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in...
THE SONY PXW-Z90 4K SINGLE LENS CAMERA REVIEW
My quick overall opinion on the Sony PXW-Z90 is this little 4K camera is a straight-up documentary / ENG/...
Sekonic L-858D Light Meter Review
Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a...
Review: RØDE AI–1 interface—preamp and A-to-D/D-to-A converter
As promised after teasing it in my recent RØDE NT1 microphone review, here is the RØDE AI–1 interface—preamp and...
