Review: RØDE NT1 studio microphone, shockmount and pop filter
Here is my review of the black-colored, high-end RØDE NT1 analog electret condenser studio microphone, together with its matching...
Review: Cleanfeed for remote HQ audio interview recordings: part 1
Cleanfeed is an online service that uses the Opus audio códec and the Chrome browser to allow for ISDN...
Review: RØDE Broadcaster, the voice microphone that challenges conventional wisdom
The general consensus is that in order to reject background noise (especially with acoustically untreated rooms), it behooves you...
Review: RØDE improves VideoMic Pro+ with several new features
For many years, I have been reviewing several different types of microphones. However, this is the very first time...
Sigma Cine Zoom Lens Review: 18-35mm and 50-100mm
Is there a better subject for a shooter than their own three-month-old baby? During these early months of fatherhood, Sigma...
Paragon Hard Disk Manager 16 makes it easier to protect your data
Hard Disk Manager solutions are not always very user friendly, especially if you’re not tech savvy. Paragon seems to...
Review: MixPre-3 audio recorder/mixer from Sound Devices
As soon as Sound Devices announced the new MixPre-3 audio recorder/mixer, I requested it for review. Ahead I’ll tell...
Taking the Blackmagic Design DaVinci Resolve Micro Panel For A Spin
The Olympics motto is Citius, Atlius, Fortius, when translated from Latin the motto means Faster, Higher, Stronger. The motto...
Panasonic AG-UX180 Single Lens Camera Review
There are four things the Panasonic AG-UX180 wants to be. This camera wants to be a broadcast camera, an...
Blackmagic 4K Video Assist Review
I’ll make this quick. The Blackmagic 4K Video Assist is damn useful for URSA Mini shooters if only for...
