Manfrotto Pro Light Cinematic Camera Bags Review: Balance and Expand
Do you ever feel like you spend more time carrying your gear from point A to point B, or...
Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
Protecting the Bright Tangerine Misfit
A few years ago I stopped buying cameras, and started putting my yearly gear acquisition budget into grip, lighting,...
Review: The i1 Filmmaker Kit and Colorchecker Video from X-Rite
I was recently sent the i1 Filmmaker Kit and Colorchecker Video from X-Rite to review, and since the process...
DaVinci Resolve 14 With A Mini Micro Panel Review
What Blackmagic Design has created under the hood of DaVinci Resolve is akin to Pandora’s box, and let me...
A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in...
THE SONY PXW-Z90 4K SINGLE LENS CAMERA REVIEW
My quick overall opinion on the Sony PXW-Z90 is this little 4K camera is a straight-up documentary / ENG/...
Sekonic L-858D Light Meter Review
Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a...
Review: Panasonic AU-EVA1 4K Cine Camera, part 3
This is part 3 of a three-part review; there’s more in part 1 and part 2 [Updated 8 Jan 2018...
Review: Panasonic AU-EVA1 4K Cine Camera, part 2
This is part 2 of a three-part review; there’s more in part 1 and part 3 Display The LCD monitor...
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