In Depth – Nobe Omniscope
One issue that colorists, editors and motion graphic designers have had for a long time, is finding reliable software...
Audio noise reduction shootout – new players Supertone Clear (GOYO) and Accentize dxRevive take on their rivals
This was originally intended to be a review of the plugin GOYO from Supertone that some people were raving...
Review: Insta360 GO 3
The Insta360 GO 3 is a camera that’s about the size of a human thumb and weighs just 35...
Descript’s «Studio Sound» makes dynamic mics sound like condensers & condensers behave like dynamics
Ever since the existence of the two most popular microphone core technologies: dynamic and condenser (including electret condenser), people...
Review: FiFine K688 dynamic hybrid studio mic with shockmount and A7WS
The K688 (≈U$73) from FiFine is the first microphone I have ever reviewed whose name indirectly pays homage to...
Review – Zhong Yi Optics Mitakon Speedmaster S35 T1 Cine Lens set
Not all cinema lenses are as financially accessible as the Zhong Yi Optics Mitakon Speedmaster S35 T1 cine lens...
AI-Eye Contact killed the teleprompter? Almost!
Will Descript’s new AI-Eye Contact kill the teleprompter? It’s currently in ßeta so I thought I’d test it. For...
REVIEW: Pixel Tools hueShift
There are two “film looks”. There’s what I believe to be the original intent of the phrase, and then...
Review: Shure MVX2U dockable USB audio interface for XLR mics with limiter + much more
(UPDATED) Today Shure unveiled the MVX2U (U$129), a very powerful inline dockable USB interface for analog XLR microphones of...
A cam/mic/light/teleprompter remote kit for non-tech-savvy guests, including Shure MV7
Inspired by my recent Review: Shure MV7 dynamic hybrid studio microphone – near, far and beyond, Beaker Films of...
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