Grading in Final Cut Pro
I see a lot of posts on social media asking about third-party grading tools for Final Cut Pro. And...
Next Level Ken Burns Effects in Final Cut Pro
Today’s video solves two shortcomings when it comes to creating pans and zooms on stills and video clips in...
The Magic of Motion
Recently Iain Anderson posted a great article about Motion being every editor’s secret weapon. I agree whole-heartedly. If you...
Better Dialogue Edits with L & J Cuts in Final Cut Pro
This week on MacBreak Studio, Steve shows us how to use L & J cuts to tighten up and...
Matching Microphones in Final Cut Pro
When I shoot MacBreak Studio, I use two microphones: one for the on-camera portion, and one for the user...
Audio Finishing using Roles in Final Cut Pro
How do you work with audio in your NLE when it doesn’t have tracks or a mixer? This week...
Using Camera-Generated Proxies in Final Cut Pro
As more and more cameras capable of shooting 10-bit 4-2-2 video hit the market at lower and lower price...
Creating Keyboard Shortcut Graphics in Final Cut Pro X
At Ripple Training, we create tutorials. A LOT of tutorials. And one of the time-consuming tasks (of which there...
Final Cut Pro and Motion on the new 13″ M1 MacBook Pro
This week on MacBreak Studio, I was able to “borrow” the new 13-inch MacBook Pro with the M1 Apple...
Publishing Path Animations for Final Cut Pro X
This week on MacBreak Studio, I take you “under the hood” to peek at our development process for a...
