Faster Editing in Final Cut Pro with “Press & Hold”
Experienced editors know the value of minimizing clicking and keystrokes: they can edit faster and focus more on crafting...
Creating a Background in Motion
Last month I taught several sessions at the Final Cut Pro Global Summit. In between my sessions, I checked...
Final Cut Pro 10.6 New Features
Full dot releases for both Final Cut Pro and Motion today with a few new and interesting features. First,...
Matching Microphones in Final Cut Pro
When I shoot MacBreak Studio, I use two microphones: one for the on-camera portion, and one for the user...
5 Things
5 Things Distractions, Lists, and Creativity I crashed my motorcycle on this day, August 10th, 21 years ago. It...
Audio Finishing using Roles in Final Cut Pro
How do you work with audio in your NLE when it doesn’t have tracks or a mixer? This week...
Editing iPhone HDR Video in Final Cut Pro
Last Fall shortly after the iPhone 12 was announced, we published a video where I explained how to work...
Using Magic Mask & Qualifiers in Resolve 17
One of the marquee new features in Resolve 17’s Color Page update is the new Magic Mask palette. Available...
Creating Keyboard Shortcut Graphics in Final Cut Pro X
At Ripple Training, we create tutorials. A LOT of tutorials. And one of the time-consuming tasks (of which there...
Final Cut Pro and Motion on the new 13″ M1 MacBook Pro
This week on MacBreak Studio, I was able to “borrow” the new 13-inch MacBook Pro with the M1 Apple...
