DxO PhotoLab 2.2: faster and with additional camera support
Support for the Nikon Z6 and the DJI Mavic 2 Zoom drone are some of the new features of...
The new Sigma 28mm T1.5 Full-Frame Cine Lens will be available in March
The new Sigma 28mm T1.5 Full-Frame Cine Lens, will be available in mid March 2019, in two versions: regular...
Sigma lenses for Christmas: Cine 40mm T1.5 and 70-200mm F2.8 Sports
Announced in time to be included in any Christmas gift lists, the Sigma Cine 40mm T1.5 FF and the...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
Sigma opens offices in Burbank and invites filmmakers to Grand Opening
The opening of the new offices in Burbank, the heart of the TV and film production community was a...
Sigma 40mm F1.4 DG HSM Art: a new high-end Cine Lens in disguise
The Sigma 40mm F1.4 DG HSM Art is more than a new lens for the Art series from Sigma:...
The L-Mount Alliance: a new industry standard for full frame and APS-C?
Leica, Panasonic and Sigma join efforts to offer cameras and lenses utilizing the L-mount created by Leica. It looks...
Panasonic’s full frame LUMIX S1R and S1: The Times They Are a-Changin’
Panasonic’s “unexpected” alliance with Leica and Sigma results in two new full frame mirrorless cameras, the S1R and S1,...
Sigma 28, 40 and 105mm T1.5: three new Cine prime lenses at IBC 2018
Debuting at IBC 2018, where they can be tested, the three new Sigma Cine lenses now announced expand to...
RED showcases DSMC2 camera brain with three sensor options at IBC 2018
RED’s “one brain, three sensors” solution will be the highlight of the company’s presence at IBC 2018: the MONSTRO...
Latest
Post Production
