The L-Mount Alliance: a new industry standard for full frame and APS-C?
Leica, Panasonic and Sigma join efforts to offer cameras and lenses utilizing the L-mount created by Leica. It looks...
Panasonic’s full frame LUMIX S1R and S1: The Times They Are a-Changin’
Panasonic’s “unexpected” alliance with Leica and Sigma results in two new full frame mirrorless cameras, the S1R and S1,...
Sigma 28, 40 and 105mm T1.5: three new Cine prime lenses at IBC 2018
Debuting at IBC 2018, where they can be tested, the three new Sigma Cine lenses now announced expand to...
RED showcases DSMC2 camera brain with three sensor options at IBC 2018
RED’s “one brain, three sensors” solution will be the highlight of the company’s presence at IBC 2018: the MONSTRO...
Five Sigma Art prime lenses available for Sony E-mount
Covering focal lengths from 20 to 85mm, the new Sigma Art prime lenses for Sony E-mount models with full-frame...
NAB 2018: Sigma Shows Off 105mm f1.4 and 70mm Macro.
At NAB 2018 Sigma showed me their new 70mm macro lens and their new 105mm f1.4 which they are...
Sigma’s new Clamp-On Ring for the Cine High Speed 14mm T2 FF lens
Users of the Sigma Cine High Speed 14mm T2 FF Prime Lens can now extend the front diameter of...
PNW Lens Summit, May 5th, Portland OR USA
Quick note: if you’re coming to Portland OR for the PNW Lens Summit, you can get 20% off lodging at...
Sigma announces the 14-24mm F2.8 DG HSM Art and introduces Front Conversion Service
The new Sigma 14-24mm F2.8 DG HSM Art is announced at the same time Sigma introduces a new front...
The “large format” look: Sigma primes on a RED Monstro, in 8K
What’s the big deal about large format cinematography? Shallow focus on wide shots. It’s a big deal. One of...
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