Sony FS5 Mark 2 Camera Review: Looking At The New Color
Yes, the Sony FS5 Mark 2 looks exactly like the original with one exception, the filter wheel on the...
Visit VENICE… in San Francisco!
The Digital Cinema Society is coming to San Francisco on May 23rd to showcase Sony’s latest digital cinema camera, the...
New Sony SL-E SSD for professionals on the move
Featuring a compact and reversible USB Type-C port for connection, the new Sony SL-E SSD drives can be used ...
Jeff Foster’s NAB Show 2018 Wrap-Up
This year I went to the NAB Show in Las Vegas with two things: (1) A knee injury, thus...
NAB 2018: The Sony VENICE Full-Frame Camera
At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...
NAB: Quick notes from Sony
Sony’s Sunday press conference covered quite a few things. I’ll focus on just a few. New Cameras Sony’s Peter...
NAB panel: The Future of HDR in Cinema
Saturday saw a panel session on “The Future in High Dynamic Range – Are You Ready?” as part of...
ProRes RAW, FCPX, and Atomos recorders
As Scott Simmons mentions in Apple prepares a new Final Cut Pro X update for NAB 2018, Apple has developed...
Setting up your on-set monitor: what to look for, and what to avoid
A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of...
THE SONY PXW-Z90 4K SINGLE LENS CAMERA REVIEW
My quick overall opinion on the Sony PXW-Z90 is this little 4K camera is a straight-up documentary / ENG/...
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