McQuaidFrame: a crop guide for vertical video
With vertical video continuing to be favored in social media, solutions like the McQuaidFrame aim to make life easier...
The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
Pix: Venice in Portland
Sony’s Venice full-frame CineAlta camera had its Portland debut at Koerner Camera today, courtesy of BandPro‘s Jeff Cree. At...
Your camera does not have a color gamut
Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...
Quick Look: Metabones CINE mount adapters
One of the pleasures of mirrorless, short-flange-depth cameras is the freedom to use a wide variety of lenses via...
ZEISS Loxia 2.4/25: one of 5 lenses for filmmakers
With the new ZEISS Loxia 2.4/25 now introduced, ZEISS announced filmmakers can look forward to a special offer on...
The Sony 6K VENICE Menu Simulator Online Now
Camera Assistants, Owner – Operators, and DPs the Sony VENICE Menu Simulator is online and waiting for you and...
Sony Adds Dual Base ISO To Their Soon To Ship VENICE
The new version 1.0 features added to the VENICE will include support for Full-Frame 24x36mm recording in time for...
Teradek RT: wireless lens control for filmmakers
Manufactured in the USA and sold by Teradek, the new product line, known as Teradek RT, is compatible with...
FieldMonitor 4.5: more Sonys, focus assist
I’ve been busy enhancing FieldMonitor, my iOS app for wireless camera monitoring and control, and I haven’t come up...
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