Review: Zoom ZDM-1 dynamic studio microphone or kit
Here is my review of the new large diaphragm ZDM-1 dynamic microphone from Zoom with a supercardioid pickup pattern....
ARC System 3: a new dimension of acoustic correction for studios
The new ARC System 3 enables producers and engineers to mix better, faster and more confidently by correcting poor...
Review: Samson Satellite microphone vs Q2U
Here is my review of the ≈US$100 Samson Satellite multi-pattern electret condenser iOS/iPadOS/USB microphone with ≈US$7 Aokeo attachable pop...
Making Waves
Making Waves – The Art of Cinematic Sound, is an outstanding achievement not only as a stand-alone documentary film,...
Zylia introduces 53 microphones installation for Virtual Reality projects
Zylia’s test setup for 6 Degrees of Freedom audio (6DoF) is based on 53, 3rd order Ambisonics microphone arrays...
How to fix bad dialogue using EQ
Equalization is one of the most crucial steps in taming a soundtrack. It’s also the step at which most...
Compression: the editor’s secret weapon for taming audio
Far too many editors are afraid to touch audio tools like parametric EQ and compression. It’s unfortunate, since the...
Triple Scoop Music: membership plans for music licensing
The new membership plans from Triple Scoop Music offer event filmmakers and pro photographers access to more than 35,000...
Hindenburg Journalist on sale for under US$2
As you have probably noticed, I have published several articles about Hindenburg Journalist (Pro), and I also mention it...
Meters, Levels, Peaks, Calm-28 Weeks of Post Audio-Week 5
Meters, loudness, levels and the CALM Act can be a technical and somewhat confusing topic. I will try to make this...
Latest
Production
