The Sound for Pinocchio

Written by Woody Woodhall

October 13, 2022

Guillermo del Toro is a filmmaker who is always seeking unique ways to tell stories. His latest venture, in...

Fairlight New Features in DaVinci Resolve 17

Written by Woody Woodhall

November 15, 2020

Since the acquisition of Fairlight in 2016, Blackmagic Design has been integrating the long-established digital audio technology into their...

Making Waves

Written by Woody Woodhall

January 1, 2020

Making Waves – The Art of Cinematic Sound, is an outstanding achievement not only as a stand-alone documentary film,...

Review: iZotope Dialogue Match

Written by Woody Woodhall

November 18, 2019

With Dialogue Match, iZotope has once again created go to technology for post audio professionals. Their RX line is...

Michael Semanick – Storytelling with Sound

Written by Woody Woodhall

January 21, 2019

Michael Semanick is an award-winning rerecording mixer of some of the most creative and celebrated films to come out...

Audio Go-To Plugins – 28 Weeks of Post Audio Redux

Written by Woody Woodhall

July 29, 2018

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...

RX 6 – 28 Weeks of Post Audio Redux

Written by Woody Woodhall

July 26, 2018

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...

Sound Editing – 28 Weeks of Post Audio Redux

Written by Woody Woodhall

July 21, 2018

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...

Great Use of Music-28 Weeks of Post Audio Redux

Written by Jose Antunes

July 20, 2018

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...

Workflow – 28 Weeks of Post Audio Redux

Written by Woody Woodhall

July 16, 2018

Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...