Wringing the Life Out of an Old Mac Pro Tower
There’s a whole lot of us who still have a big, old aluminum Mac Pro tower sitting around doing...
First look: Sony PXW-X70 10-bit/4:2:2 handheld camcorder
I am quite intrigued with Sony’s new under US$2600 PXW-X70 camcorder. It has been a while since I used...
Blackmagic Studio Camera Review
Without a doubt, the Blackmagic Studio Camera is a niche camera with a dominating monitor and Super 16mm sized...
Rating and Filtering in Final Cut Pro X
Guest Bill Davis takes us back to the basics this week. One of the foundational building blocks for working...
Visual Effects Workflow with Final Cut Pro X
How does Final Cut Pro X fit into the visual effects workflow of a feature film? Quite comfortably, as...
Let’s Edit with Media Composer – What’s New in Version 8.2
Media Composer 101 has been rebranded to Let’s Edit with Media Composer! Enjoy all the new tutorials at the...
iPad Air 2 is semi-matte!/My MacBook Air is now matte too!
Frequent ProVideo Coalition readers know that I strongly prefer matte screens, whether its for media production or general use....
Review: ThunderBay IV 4-bay 12TB Thunderbolt system
Back in June, I published my first look article on the ThunderBay IV 4-bay 12TB Thunderbolt system with the...
Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the...
Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
