Make Dual Mono work between FiLMiC Pro and FCP X 10.0.8 & 10.0.9
As I have covered in several recent articles and videos, it is now possible to record “stereo” 48 kHz...
ENG mic comparison: Audio Technica BP4002 versus Electro-Voice RE50N/D-B
In this short video, we compare the sound quality of the popular Electro-Voice RE50N/D-B and the Audio Technica BP4002...
FiLMiC Pro 3.3 adds external audio monitoring + remote
I am delighted to see that FiLMiC Pro’s palindromic upgrade to version 3.3 finally includes external live audio monitoring...
It’s official: Avid is finally going to lay the DS to rest
It probably won’t come as a surprise to anyone but it would appear that Avid is finally going to...
Secret Clip Selections in Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training and I share a couple of tips for selecting...
Roland DUO-CAPTURE EX US$199 field audio mixer for iPad
The US$199 DUO-CAPTURE EX from Roland (like the excellent hybrid microphone I’ve applauded in several articles and ebooks) connects...
Which Blackmagic camera models output live native progressive, and when?
Which Blackmagic camera models output live native progressive 1080p, and when? This situation is a bit confusing, and hasn’t...
Blackmagic slashes camera prices, updates firmware
This morning Blackmagic announced important firmware updates for its cameras and slashed the prices of two models. The firmware...
IMAG 101 – Part 1
This will be the first of three posts about the basics of IMAG. We should probably start out with...
Why video producers/distributors should embrace Chromecast
Chromecast is the name of a US$35 digital media streaming adapter developed by Google and released last week, in...
