Digital Juice Releases First Volume in New Animated Wipes & Transitions Library
Digital Juice®, the highly acclaimed developer of digital content for video and motion graphics designers, announced today the release...
Pacific Post To Package FotoKem’s nextLAB® with Avid Systems
Pacific Post, a leading provider of Avid rental equipment and editorial space in Hollywood for the film and television...
HP DreamColor Mac connectivity & functionality: update 2012.2
When I published HP DreamColor Mac connectivity & functionality: update 2012.1 on July 3, I had a feeling that...
Working with multicam in Adobe Premiere Pro CS6
I’ll be the first to admit that while multi-camera editing tools have been available in Adobe Premiere Pro for...
![An[other] OS X 10.6 to 10.8 Survival Guide for Editors 5](https://www.provideocoalition.com/wp-content/uploads/fa56d6cea69f9853d7e5d2832dc71c38-520x161.jpg "An[other] OS X 10.6 to 10.8 Survival Guide for Editors 26")
An[other] OS X 10.6 to 10.8 Survival Guide for Editors
Test rig: 10.7.4 MacBook Air, 10.6.8 MacBook Air, three different kinds of antacids, dual-boot 10.6.8/10.8 Mac mini (display; mini...
Product Review: Magic Bullet Denoiser II
Today’s DSLRs and HD Camcorders allow us to shoot at higher ISO and lower light scenarios than ever before...
MARI 1.5 Launches at Siggraph 2012
Leading visual effects software developer, The Foundry (www.thefoundry.co.uk), has released MARI 1.5, packed with new features that reach beyond...
MAXON Announces CINEMA 4D Release 14
Today, MAXON unveiled CINEMA 4D Release 14, (R14) a milestone release of the industry-leading 3D motion graphics, visual effects,...
Shotgun Software Announces Tank, A New Approach to Asset Management
Shotgun Software, the pipeline tools developer for the visual effects and animation industry, today announced a new asset management...
LIGHTING: The Most Common Light Leaks, and How to Stop Them
I prefer contrasty soft light for most of my work, and while I’m not averse to hard light accents...
