Product Review: Wacom Intuos5 Touch
Wacom hits another home-run with this innovative and user-friendly pen tablet and touch-sensitive input device. You can greatly reduce...
LED Light Tests: PRG Sponsors an LED Light Shootout
“LED Light Shootout” sounds so dramatic, as if a collection of motley illuminants met in a dusty western town...
My NAB 2012 Post|Production World classes
I’m very excited to once again be teaching several classes at the 2012 NAB Post|Production world conference. It’s going...
CANON C300: Trimming White Balance, Plus a Look at Daylight vs. Tungsten Color
I’ve shot a lot of web and broadcast spots on the Canon 5D and while it makes pretty pictures...
MochaImport+ now available
mamoworld.com has today released MochaImport+, the successor of the popular After Effects tool MochaImport. The new version allows to...
The Masters of Compositing Series – Part 2: Paul Vlahos
This is the second in a series of interviews with the pioneers and masters in the compositing/VFX film &...
CAMERAS: Now It’s Rocket Science
Not so long ago the toughest choice we had to make was which film stock to use. It was...
Lights, Camera, Kids: Shooting a Childish Spot for T-Mobile on the Canon 5D
A web spot may be seen by more people than a broadcast spot, so making it pretty is more...
FxFactory SplitScreen Effects for Final Cut Pro X
Noise Industries, developer of visual effects tools for the post-production and broadcast markets, introduces CrumplePop SplitScreen X, built from...
Baselight for Final Cut Pro is one of the most powerful legacy FCP grading plugins ever
At NAB 2011 FilmLight surprised most everyone with a preview of their Baselight for Final Cut Pro plugin. It...
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Production
Review: Mofage Talos Damping Magic Arm
Post Production
