Simulated Rack Focus for Believable Composites
If you’re looking to give your green screen composites another step of realism or to simulate the look of...
The C300 short Hustle and some before and after images
Hustle from Daniel B©rub© on Vimeo. A number of filmmakers involved in the Boston Creative Pro User Group got...
Tip Tuesday: Disable a clip in the Avid Media Composer timeline
In honor of TipTuesday over on Twitter I thought I’d share this simple Avid Media Composer tip that I...
NewTek Ships LightWave™ 11 Software
NewTek is now shipping LightWave™ 11, the latest version of its Emmy® award-winning, professional 3D modeling, animation, and rendering...
Dynamic Multipurpose Templates in New ready2go Collection 11
Digital Juice® announced today that it is releasing ready2go™ Projects & Templates for Adobe After Effects® Collection 11. ready2go...
Why Smoke is Ideal for Broadcast Part I
For anyone who has ever worked in a broadcast environment, you know the unique challenges that are involved in...
Testing the 7toX Final Cut Pro 7 to Final Cut Pro X conversion
When Apple released the latest Final Cut Pro X update there was a very important 3rd party utility released...
2D Footage with a Stereo 3D Rig in After Effects CS5.5
Adobe included a 1-step option to create a 3D Stereo Camera Rig in After Effects CS5.5, to everyone’s enthusiasm...
Q and A with Bunim/Murray’s Mark Raudonis about their recent Avid switch
Back in January news broke that reality television producers Bunim/Murray were switching their post-production facilities from Final Cut Pro...
Kicking the tires on the Final Cut Pro X 10.0.3 Multicam update
As we all know by now Apple released their promised update to Final Cut Pro X that added multicam....
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
