Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
Signature Primes vs. Ultra Primes: The Pixel-Peeper’s Guide
For nine months I’ve been working periodically as a trainer for the ARRI Academy. Recently we added an Alexa...
Casting the look of a camera into glass
Recently I had the pleasure of meeting with ARRI’s senior color designer, and I asked him the question I...
Speed lighting: more lessons from the ARRI Academy
The ARRI Academy isn’t only about learning how cameras work. We also teach how to use them. I’ve never...
Real-time workflows for film, TV, VR and AR using Unreal Engine technology
From Technicolor’s ‘HP Mars Home Planet’ VR experience to a demo set in the Star Wars universe showcasing techniques...
Working With Clients – 28 Weeks of Post Audio
Editor’s Note: “28 Weeks of Post Audio” originally ran over the course of 28 weeks starting in November of...
NAB 2018: MEVO 4K Camera – Livestream Like A Pro
At NAB 2018: Vimeo came to the convention to show off a new little camera called the MEVO which is...
NAB 2018: The Sony VENICE Full-Frame Camera
At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...
DaVinci Resolve 14 With A Mini Micro Panel Review
What Blackmagic Design has created under the hood of DaVinci Resolve is akin to Pandora’s box, and let me...
A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in...
