Setting up your on-set monitor: what to look for, and what to avoid
A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of...
Blackmagic Design Updates URSA Broadcast Firmware
As the Blackmagic Design URSA Broadcast makes its way into the hands of shooters and studios BMD has taken...
Beyond Podcasting 1: Sacred terminology—podcast, radio and television…
In the first BeyondPodcasting episode, Allan Tépper and guest Memo Sauceda discuss sacred terminology and its proper use: podcast, radio and television… on-demand, by appointment, prerecorded and truly live. References are made...
The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
Alexa 65 shows that large format TV makes a difference in “Altered Carbon”
I’m eight episodes in to Netflix’s Altered Carbon, and I’ve officially become a believer in large format TV cinematography....
Your camera MAY have a color gamut: further musings on camera color pipelines
My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before...
Your camera does not have a color gamut
Yes, it’s true: your camera has no color gamut. Don’t believe me? Good, ’cause I’m going to try to...
Blackmagic Feb 1st Broadcast New Products Announcements
Today, Blackmagic Design took the opportunity to live stream their new 2018 broadcast product updates. On-screen Blackmagic CEO, Grant...
The large format look, continued: shallow focus and stressing old lenses
I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...
Ultra-D: 4K glasses-free 3D at CES 2018
Some say 3D is dead, others believe it is just starting. This edition of CES will, again, reveal new...
