Review: Panasonic AU-EVA1 4K Cine Camera, part 3
This is part 3 of a three-part review; there’s more in part 1 and part 2 [Updated 8 Jan 2018...
Review: Panasonic AU-EVA1 4K Cine Camera, part 2
This is part 2 of a three-part review; there’s more in part 1 and part 3 Display The LCD monitor...
Review: Panasonic AU-EVA1 4K Cine Camera
Panasonic’s $7,345 AU-EVA1 is a Super35mm single-sensor camcorder with a 5.7K Bayer-mask sensor, an EF lens mount, variable frame...
Real time HDR/WCG conversion with AJA’s FS-HDR
Presented as a real world answer for realtime HDR processing, the new FS-HDR from AJA provides the flexibility to...
Hasselblad A6D: how to sync 8 100 Megapixel aerial cameras
The Hasselblad A6D-100c represents the latest evolution of Hasselblad aerial cameras, and introduces new option in terms of using...
Review: Panasonic VariCam LT 4K Super35mm Cine Camera
The VariCam LT is Panasonic’s “affordable” large single sensor VariCam, putting the core of the $55,000 VariCam 35 in...
The Truth and Hype on 4K, 8K, UHD and HDR
Beyond 4K most viewers will never appreciate the detail on their TV screens, simply because while image resolutions on...
16 pix of a Canon C700 (plus 1 of 2 Panasonics)
The new, not-yet-shipping Canon C700 made an appearance at the Northwest Filmmaker’s Festival Summit in Portland, Oregon today. There...
Sony PXW-X70 camcorder finally graduates to 100Mbs 4K UHD with firmware 3.0
Back in 2015, I published several articles about the Sony PXW-X70 camcorder, which offered an optional paid upgrade to...
Blackmagic Announces Revolutionary New Blackmagic Duplicator 4K: NAB 2016
The Duplicator If you are in any way recording or shooting live events the Blackmagic Duplicator 4K seems to...
Latest
Production
