Panasonic’s 4K DVX-200 Camera Review
In an age of DSLRs, Mirrorless, and Digital Cinema cameras who the hell would want a single-lens camcorder, right?...
NAB 2016: Datavideo turns your 4K cam into multiple HD cameras
At NAB 2016, Datavideo has announced it will be showing its new KMU–100, which will accept the single 4K/UHD...
Get Started Fast with NewBlue Titler Pro for Media Composer—Episode 1
With the move to larger then HD projects, there have been some changes in Media Composer that editors need...
Get Started Fast with Media Composer for High-Res Workflows—Part 5
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 4
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Panasonic Announces 4K Super 35 VariCam LT
Panasonic unveils the little brother to the VariCam 35. At 6lbs this fiesty little camera inherits many fabulous features...
Get Started Fast with Media Composer for High-Res Workflows—Part 3
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Get Started Fast with Media Composer for High-Res Workflows—Part 1
Many editors don’t work in larger then HD projects, but what happens when you’re ready to make the leap?...
Blackmagic’s URSA Viewfinder Review
Is the URSA Viewfinder necessary for URSA and URSA Mini shooters?
Blackmagic Extends Lens Mount Options for USRA Mini
Blackmagic adds B4 lens mount option to the URSA Mini and URSA Mini 4.6K
