Sony E-Mount Cinema lens FE C 16-35mm T3.1 G and FX9 camera: a nice pair
Sony unveiled at IBC 2019 the new full-frame E-mount Cinema lens FE C 16-35mm T3.1 G, designed for high...
Cine Gear 2019: Sony VENICE Firmware Updates with HFR and more
We had a chance to talk to Sony about the new firmware 4.0 for the Sony VENICE. The big...
Sony’s VENICE: see the new High Frame Rate capabilities at Cine Gear Expo
Sony VENICE new firmware offers High Frame Rate up to 90fps at 6K 2.39:1 and 72fps at 6K 17:9....
FUJINON PREMISTA large format cinema zooms debut at Cine Gear Expo 2019
There’s nothing better to understand how lenses work than to look at a film shot with them. Debuting at...
Sony Xperia 1: a 21:9 smartphone with CineAlta technology inside
World’s first OLED smartphone with 21:9 CinemaWide display and HDR remastering technologies and Dolby Atmos sound, the Xperia 1...
Lens coverage, sensor size, and pushing the limits
Sensors and lenses don’t always get along. In the HDR and UHD world, it’s important to test, test, test....
SONY VENICE 3.0 FIRMWARE & EXTENSION HEAD ANNOUNCED
Sony continues to follow their announced roadmap of upgrades and added features to their Full Frame flagship camera VENICE....
Visit VENICE… in San Francisco!
The Digital Cinema Society is coming to San Francisco on May 23rd to showcase Sony’s latest digital cinema camera, the...
NAB 2018: The Sony VENICE Full-Frame Camera
At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...
Pix: Venice in Portland
Sony’s Venice full-frame CineAlta camera had its Portland debut at Koerner Camera today, courtesy of BandPro‘s Jeff Cree. At...
Latest
Post Production
