Using Blackmagic’s DaVinci Resolve For Editing, Grading, and Finishing
Blackmagic’s DaVinci Resolve 12.5 was the program of choice for editing, coloring, and finishing the original short form comedy...
Flicker: Why On-Set Monitors Fail Us
While working as a young second camera assistant on a film TV series in the 1990s, I noticed the...
Sony Professional Launches Tech Tip Video Series
For five consecutive weeks, Sony Professional will roll out new tech videos offering quick tech tips related to Sony’s...
AN INSIDERS PERSPECTIVE ON THE CREATIVE WORLD OF FILMMAKING
With hundreds of careers and opportunities, the Filmmaking industry can be a unique experience for a Filmmaker. Options include pitching...
Panasonic AG-UX180 Single Lens Camera Review
There are four things the Panasonic AG-UX180 wants to be. This camera wants to be a broadcast camera, an...
DaVinci Resolve 12.5 Editing Book Review
I cannot tell a lie. It took me awhile to read the DaVinci Resolve 12.5 Editing book. Captivating prose...
Sony announces a new series of 3LCD projectors
One thing which I have discovered in the past few months is Sony is definitely upping their projector game....
Blackmagic Announces New ATEM, Web Presenter, and More
During a live-streamed press conference, Blackmagic Design’s Grant Petty showcased a handful of new products for broadcasting over the...
TLCI vs. CRI, CQS, etc.: How do they stack up?
How does TLCI stack up against the other measures of color accuracy? I’ve argued that its testing methodologies might...
New Xenon FF-Prime Cine-Tilt Lenses
Schneider-Kreuznach introduced an entire new Cine-Tilt lens line-up. The new Xenon FF-Prime Cine-Tilt lenses each come with ± 4°...
