Interactive Title Design in Final Cut Pro X
Did you know you can do interactive, realtime title design directly inside Final Cut Pro X? This is the...
Why We Need Color Correction
The tools of our trade have been commoditized. Everyone can perform the job of seasoned video and film professionals,...
Locking Fonts in Final Cut Pro X
Why would you want to “lock” a font? That's a question we tackle in this week's MacBreak Studio, where...
Epson Moverio BT-200 Smart Glasses with the DJI Phantom 2 Vision+
Unlike typical FPV goggles that basically block out the world around you and force you to only see what...
The Padcaster Mini is now available
Joining the original (larger sized) Padcaster, the new Padcaster Mini is similar, but sized to match Apple’s iPad Mini...
Product Review: DSLRPros 3-Axis Handheld Stabilizers
Never before have 3-axis brushless motor-driven handheld stabilizers been more needed than with release of the latest smartphones and...
Multi-screen Multicam in Final Cut Pro X
Putting the Angle Viewer into the Timeline? That is essentially what Steve Martin from Ripple Training shows us how...
Adobe at IBC 2014 – the show in review
It felt like summer in Amsterdam, host city for the International Broadcasting Convention, Europe’s largest industry tradeshow. Inside the...
Product Review: Lightpanels Astra 1×1 LED Light
The Litepanels Astra is the next-generation 1×1 LED light from the company that invented the first generation. After Litepanels...
Creating Final Cut Pro Transitions in Motion
How do you customize effects in Final Cut Pro X? That's a question I hear frequently from legacy Final...
