NAB 2018: MEVO 4K Camera – Livestream Like A Pro
At NAB 2018: Vimeo came to the convention to show off a new little camera called the MEVO which is...
NAB 2018: The Sony VENICE Full-Frame Camera
At NAB 2018 I got an opportunity to talk to Sony about the Sony VENICE. The day before I,...
DaVinci Resolve 14 With A Mini Micro Panel Review
What Blackmagic Design has created under the hood of DaVinci Resolve is akin to Pandora’s box, and let me...
A Look At The Blackmagic Design URSA Broadcast | A Camera Review
When every other manufacturer went with a larger Full-Frame sensor in their flagship cameras Blackmagic decided to go in...
After Effects NAB 2018 Update: Master Properties and Advanced Puppet
It’s that time of year when Adobe presents its latest software additions, with video first in line. For those...
Setting up your on-set monitor: what to look for, and what to avoid
A few years ago, when high quality LCD monitors didn’t exist, I found myself in the wonderful position of...
Canon Announces The C700 Full-Frame Digital Camera
Less than two weeks before NAB 2018 Canon announces the EOS C700 FF, the “FF?” Well, it stands for...
Blackmagic Design Updates URSA Broadcast Firmware
As the Blackmagic Design URSA Broadcast makes its way into the hands of shooters and studios BMD has taken...
The film look: what is it, and why are there two of them?
The film look is an elusive thing. Everyone has their favorite flavor, but there are two basic, yet opposite,...
Your camera MAY have a color gamut: further musings on camera color pipelines
My last article resulted in some new input on color gamuts. Here’s what I think I know now. Before...
