An Early Look at the Next Version of Adobe Premiere Pro
With NAB 2013 just around the corner it should come as no surprise that Adobe has let their cat...
Time Lapse Workflows and Final Cut Pro X
This week on MacBreak Studio, Steve Martin from Ripple Training explains his workflow for creating time lapse movies from...
How to pick your ideal HDMI or HD-SDI interface for WireCast (Pro)
UPDATED: This article now updated info. Many people have heard of Telestream’s renowned WireCast (Pro) software, which can convert...
OLED field monitor upgradable to become a recorder? Enter the Odyssey7 and Odyssey7Q
Long time ProVideo Coalition readers know that I have been covering external progressive 4:2:2 and 4:4:4 recorders from different...
Working with Keyframes in Motion
This week on MacBreak Studio, I get back to the basics in Motion by showing Steve Martin from Ripple...
Photos: Sony F5 and F55
Today, one of our excellent local rental houses, Videofax in San Francisco, held an Open House to show off...
Batch Renaming Clips in Final Cut Pro X
Depending on your source footage, Final Cut Pro X may assign clip names based on the metadata associated with...
Come Learn Final Cut Pro X and Motion at NAB
So what's the deal with Final Cut Pro X now that it's been out for almost 2 years? Can...
Timeline: A History of Editing goes digital with lots of new material
Timeline: A History of Editing is an amazingly detailed book about just what the subtitle says, a history of...
Retiming a Generator in Final Cut Pro X
Generators in Final Cut Pro X are Motion projects that are stored in the Generators Browser. Many of the...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
