Cinegear 2012 – Rotolight Anova
At Cinegear 2012, I had the privalige of visiting with Rod Gammons, owner and CEO of Rotolight at Cinegear...
Flaw in Avid Studio & iMovie for iPad makes them more appropriate for broadcast news…
Frequent readers of ProVideo Coalition magazine know that I have already published a few articles about the use of...
Cinegear 2012 – Easy Focus
Focus is key, there’s really no way around it. Barring aesthetic choice, losing focus can be disastrous. So it’s...
Hybrid USB/XLR microphones: the missing workflow for independent voice talent and podcasters
Several times a month, I am inspired to write and publish an article about one of my varied interests....
Carbon XL: An All-In-One Solution For Camera Motion
Cinegear saw a lot of great products this year, but one of the most striking was the Carbon-XL 10....
Part 2: Hybrid XLR/USB/iPad mics that rival expensive studio mics
In part 1 (1st handheld dynamic microphones with hybrid XLR/USB/iPad connectivity from Audio Technica) I covered background information, including...
High Speed and Low Light with the NEX-FS700
Sony asked Art Adams and me to talk about our experiences with and impressions of the NEX-FS700 camera at...
Blackmagic: We’re ready to remove the Band-Aid!
Despite years of diplomatic prodding on my part, both via articles in ProVideo Coalition magazine and private emails, Blackmagic...
How the Blackmagic Cinema Camera will indirectly take sales from AJA, Matrox, and MOTU
What are you talking about Allan? AJA, Matrox, and MOTU don’t manufacturer or sell cameras! How will the Blackmagic...
AbelCine updates its free Field Of View Comparator for Blackmagic Cinema Camera
We applaud AbelCine for updating its unique interactive Field of View Comparator to include the recently announced Blackmagic Cinema...
PVC Favorites
Production
Review: Mofage Talos Damping Magic Arm
Post Production
