Hidden Flexibility of Blackmagic’s URSA Broadcast. A S16mm Camera?
I will write about the URSA Broadcast in a bit. Stay with me as I present some background first....
NAB 2019: Rare Re-Built Angenieux Lenses From Zero Optik
Alex Nelson of Zero Optik seems to always be carrying a rare or newly rebuilt, rehoused, specialty cinema lens...
NAB 2018: Zero Optik Shows Off Rehoused Nikon 58mm f1.2 / T1.3
If one looks up Zero Optik online and read their “About” section on their website they’ll read this: “Zero...
Vintage Lens Tests on Blackmagic URSA Mini Pro by Jody Eldred and Todd Fisher
A museum of cinema artifacts is the birthplace of this lens test. Todd Fisher, son of Debbie Reynolds and...
Anamorphics and Blackmagic’s URSA Mini: NAB 2016
Found in the new UI is the option to turn the 16:9 4.6K Super 35mm sized sensor into a...
Rethinking The AJA Cion
I set out to discover what tools one needs to shoot the best footage possible with AJA’s Cion. I...
