Z-Depth compositing with Particular – Part 2
Trapcode’s Particular is probably the most popular 3rd party plugin for After Effects, and amongst its many powerful features...
Z-Depth compositing with Particular – Part 1
Trapcode’s Particular is probably the most popular 3rd party plugin for After Effects, and amongst its many powerful features...
After Effects and Alexa – The Expurgated Version
OK so you’ve got some Arri Alexa footage in Log C format, and it looks funny in After Effects....
After Effects and Alexa – Part 2
The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called...
After Effects and Alexa – Part 1
The Arri Alexa is a hugely popular digital camera, but it records footage in a proprietary Arri colourspace called...
Wriggle it – just a little bit
Hand drawn and stop motion animations have a very distinct look. Every frame is slightly different, and when played...
Animating the Hand of God
In the film & TV industry, voice-over narration is sometimes referred to as “the voice of god”. So when...
Creating a watercolour wipe in After Effects – Part 2
Over 3 years ago, in a rare moment when I had some spare time, I attempted to create an...
Creating a watercolour wipe in After Effects – Part 1
Over 3 years ago, in a rare moment when I had some spare time, I attempted to create an...
Vegas Visits Vivid – Part 2
Earlier this year, Sydney design company Spinifex headlined the Vivid Festival with a striking building projection on the iconic...
