Cinematographer Zach Kuperstein on pairing a VENICE with ZEISS Supremes
For his first time shooting with the Sony VENICE I, cinematographer Zach Kuperstein picked ZEISS Supreme Primes as the...
Thriller The Desperate Hour shot with URSA Mini Pro 12K
A riveting and pulse pounding thriller from award winning director Phillip Noyce, “The Desperate Hour” was shot by cinematographer John...
ZEISS Supreme Prime: 13 high-end cinema lenses at Cine Gear Expo
Debuting at Cine Gear Expo, the ZEISS Supreme Prime family is a cinematographer’s dream: 13 lenses with fixed focal...