Sony FE 24mm F1.4 GM: a compact, lightweight and de-clickable lens
Designed for a wide range of multi-media creators, the new Sony FE 24mm F1.4 GM offers accuracy and quiet...
RED showcases DSMC2 camera brain with three sensor options at IBC 2018
RED’s “one brain, three sensors” solution will be the highlight of the company’s presence at IBC 2018: the MONSTRO...
ZEISS Supreme Prime: 13 high-end cinema lenses at Cine Gear Expo
Debuting at Cine Gear Expo, the ZEISS Supreme Prime family is a cinematographer’s dream: 13 lenses with fixed focal...
NAB 2018: Things ‘n’ Stuff
Herewith I collect interesting things I haven’t written about already: mostly cameras and support kit, but there’s other stuff,...
PNW Lens Summit, May 5th, Portland OR USA
Quick note: if you’re coming to Portland OR for the PNW Lens Summit, you can get 20% off lodging at...
Panasonic AU-EVA1 5.7K compatible with six more Sigma ART lenses
The six new Sigma ART lenses added to the long list of lenses compatible with the Panasonic AU-EVA1 5.7K ...
The large format look, continued: shallow focus and stressing old lenses
I’ve been getting some play time with RED’s new Weapon camera with a Monstro sensor at Videofax in San...
Current thoughts on current lenses
Near perfect lenses are easy to find these days. The problem is… I don’t want them. I want lenses...
Your guide to capture the Great American Eclipse
Photographing an eclipse is an exciting idea, but don’t stop there. Modern cameras offer accessible ways to create video...
Gallery: PNW Lens Summit 2017
On Saturday, May 13, Koerner Camera hosted the PNW Lens Summit 2017, gathering glass from all over in one...
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