Apple
Masters of Final Cut reveal time-saving tips and powerful techniques for picture editing, graphics animation, audio post, color grading, delivery and asset management.
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With Support from Apple
Tuesday, November 11, 2008
Steve Hullfish | 11/11- 09:32 AM
Media Management in a shared environment
In the first of a two part series on how Final Cut Pro is being used in two of the biggest reality TV shops in the country, Mark Raudonis, VP, Post Production for Bunim Murray talks about the challenges of posting up to ten hours a week of finished programming.
With that much media moving through so many post-production steps, it’s critical to understand media management and to have a simple standard operating procedure that is followed throughout the process. Raudonis shares his hard-won knowledge of how to take advantage of Final Cut’s media management strengths and how to stay away from its weaknesses in this interview.
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Friday, November 07, 2008
Steve Hullfish | 11/07- 10:47 AM
Leveraging the power of Motion in FCP
Take advantage of all of the tools in Final Cut Suite 2 to make your work in Final Cut Pro easier and more polished. Customizing Templates in Motion is easier than you may think and it allows FCP to create drag and drop motion graphics that are easily changed from episode to episode. This simple video tutorial shows how even a “non-designer” can customize a great show graphic.
Click to PLAY VIDEO »
Tuesday, November 04, 2008
Kevin P. McAuliffe | 11/04- 09:56 AM
In the first of our three part look at the Easy Setup (ES) in Final Cut Pro, we took an in-depth look at the Capture Presets (CP), and really got in there and examined what each one of the settings did. For part two, we are going to look at what I think is the next logical step in the process, and that is the Sequence Settings, and then we are going to wrap everything up in part three by looking at the Device Settings, and how you can tie everything together to your advantage.
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Thursday, October 23, 2008
Philip Hodgetts | 10/23- 12:17 PM
I love Motion Templates. Not only because I can pull a great looking effect out of my hat at a moment’s notice, but they save me so much time, even when I create an original effect. Instead of recreating the same effect for a dozen videos, I create it once with the common elements embedded and drop zones for those shots that will change for each video.
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Tuesday, October 21, 2008
steve martin | 10/21- 12:03 PM
An instructional video on how to hand off files from FCP to Color.
You start your grading and color correction using Final Cut Pro’s 3 Way Color Corrector. You now want to hand off your sequence to Color for finishing. In this tutorial, Andrew Balis of Ripple Training will show you the things you need to know in order to do this successfully
Click to PLAY VIDEO »
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Richard Harrington | 11/19- 09:48 PM
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Adam Wilt | 11/18- 10:19 PM
Testing RED ONE for green/magenta sensitivity, and what we found. Art Adams and I have observed here on PVC that the RED ONE seems unusually sensitive to green…
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